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The application of stage lighting is a major component of the development of links. It has the characteristics of time and art indoor space technology. Spatial organization is an essential part of the construction process of performance stage engineering, which has strong technicality. In the link of stage lighting spatial organization and establishment, a variety of lighting definitions and technologies must be applied. This paper discusses some methods in the process of stage space organization and design, and refers to the close combination of modernism and freehand brushwork, the balance between classical and modern, color and total flow changes and other expertise and skills.

在舞臺(tái)燈光設(shè)計(jì)方案的實(shí)際空間里，真正時(shí)間和空間的定義主要是創(chuàng)建，并仿真模擬太陽光，日光或月光的危害再現(xiàn)風(fēng)景的客觀性和能給人一種身在其中的藝術(shù)感受。寫意類似國(guó)畫“測(cè)算白黑”的技術(shù)。室內(nèi)空間的大規(guī)模被置放暗夜里為環(huán)境，當(dāng)?shù)氐臒酎c(diǎn)亮主情景或場(chǎng)面的基本特征一部分，黑白色的媒介來表述無限空間，在除此之外，“飽和度“在光影效果技術(shù)被用以點(diǎn)亮全部環(huán)境和突顯場(chǎng)面的暗情況，以造成在環(huán)境上，這就是所說的劇烈的光源和黑影飽和度‘剪影圖片’的實(shí)際效果。

In the actual space of the stage lighting design scheme, the definition of real time and space is mainly to create and simulate the harm of sunlight, sunlight or moonlight, reproduce the objectivity of the landscape and give people an artistic feeling. Freehand brushwork is similar to the technique of "measuring white and black" in traditional Chinese painting. The large-scale indoor space is placed in the dark as the environment, the local lights light up the main scene or part of the basic characteristics of the scene, and the black-and-white media express the infinite space. In addition, "Saturation" in the light and shadow effect technology is used to light up the whole
environment and highlight the dark situation of the scene, so as to create the actual effect of the so-called violent light source and shadow saturation 'silhouette picture' in the environment.

真實(shí)的照明是“由定義制勝”，體現(xiàn)了環(huán)節(jié)的認(rèn)真細(xì)致構(gòu)造，并再次建立環(huán)節(jié)的原狀與真實(shí)感。實(shí)際中的這一含義上算是對(duì)事實(shí)的提取和開創(chuàng)觀念，不可以簡(jiǎn)潔地仿真模擬太陽光?，F(xiàn)代主義是城市夜景室內(nèi)空間的創(chuàng)造技巧，讓一定的藝術(shù)氣氛，讓真實(shí)的陽光照射能夠造成“親臨其境”的藝術(shù)美學(xué)藝術(shù)實(shí)際效果。途手照明是主觀意識(shí)的關(guān)系式，其被交 融到個(gè)性化和心情的圖象“與用意獲得勝利”寫意照明主照明技術(shù)生產(chǎn)制造出“好點(diǎn)子”，它還可以激發(fā) 性一些想像，而造成“一十”的思想室內(nèi)空間的韻味實(shí)際效果。

Real lighting is "winning by definition", which reflects the careful and meticulous structure of the link, and establishes the original state and authenticity of the link again. In practice, this meaning can be regarded as the extraction of facts and the creation of ideas, which can not simply simulate the sunlight. Modernism is the creative skill of urban night view indoor space, so that a certain artistic atmosphere and real sunshine can produce the actual effect of "immersive" artistic aesthetics. Tushou lighting is the relationship of subjective consciousness. It is blended into the image of personalization and mood to "win with intention". The main lighting technology of freehand lighting produces "good ideas". It can also stimulate some imagination, resulting in the rhyme and practical effect of "ten" thought indoor space.

必須與此同時(shí)適用“寫意”，并在藝術(shù)照明“實(shí)際”的照明技術(shù)，并打造出“詩意”根據(jù)“的虛與實(shí)的交融 。”充分利用“寫實(shí)性與寫意” 的舞臺(tái)燈光機(jī)器設(shè)備的藝術(shù)設(shè)計(jì)方案的倆種方式，以更好的反映“掩藏和曝露中間的關(guān)聯(lián)”，留有的情感空間回味無窮。

At the same time, we must apply the "freehand brushwork" and the lighting technology of "reality" in artistic lighting, and create the "poetic" based on the "blending of emptiness and reality" Make full use of the two ways of the artistic design scheme of stage lighting machinery and equipment of "realism and freehand brushwork", so as to better reflect the "relationship between hiding and exposing", leaving some emotional space for endless aftertaste.

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