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舞臺(tái)音響作為現(xiàn)代電聲技術(shù)和音樂(lè)藝術(shù)發(fā)展的產(chǎn)物，突破了音樂(lè)聲音再現(xiàn)的傳統(tǒng)形式，將聲音的轉(zhuǎn)化與舞臺(tái)上的其他藝術(shù)手段相結(jié)合，如：現(xiàn)場(chǎng)燈光、布局、場(chǎng)地、表演者表演風(fēng)格、表演音樂(lè)中使用的具體樂(lè)器直接為觀眾和相應(yīng)的演員服務(wù)，使舞臺(tái)上的聲音不僅滿足觀眾對(duì)音量的需求，而且通過(guò)不斷調(diào)整其表現(xiàn)力技巧和音效，讓舞臺(tái)的聲音得到提升。藝術(shù)空間更豐富，更具藝術(shù)感和感染力。

As a product of the development of modern electroacoustic technology and music art, stage sound breaks through the traditional form of music sound reproduction, and combines the transformation of sound with other artistic means on the stage, such as on-site lighting, layout, venue, performers' performance style, and specific musical instruments used in performing music to directly serve the audience and corresponding actors, so that the sound on the stage can not only meet the audience's demand for volume, And by constantly adjusting its expressive skills and sound effects, the sound of the stage can be improved. The art space is richer, more artistic and appealing.

此外，無(wú)聲的音效對(duì)舞臺(tái)搭建、導(dǎo)演對(duì)人物的塑造、舞臺(tái)調(diào)度的控制也有重要影響。舞臺(tái)表演的舞臺(tái)氣氛不是一成不變的，而是隨著表演內(nèi)容的發(fā)展而不斷變化的。作為藝術(shù)創(chuàng)作的結(jié)果，也促進(jìn)了舞臺(tái)藝術(shù)的真實(shí)性。對(duì)比與展示，將人物與舞臺(tái)表演節(jié)奏的關(guān)系直觀地呈現(xiàn)出來(lái)，表演的節(jié)奏體現(xiàn)在舞臺(tái)氣氛的變化上，與觀眾互動(dòng)。

In addition, the silent sound effect also has an important impact on the stage construction, the director's characterization and the control of stage scheduling. The stage atmosphere of stage performance is not unchanging, but constantly changing with the development of performance content. As a result of artistic creation, it also promotes the authenticity of stage art. By comparison and display, the relationship between the characters and the stage performance rhythm is visually presented. The performance rhythm is reflected in the change of the stage atmosphere and interacts with the audience.

由于長(zhǎng)期以來(lái)對(duì)舞臺(tái)音響的作用認(rèn)識(shí)不，忽視了學(xué)生聲源、觀眾周?chē)h(huán)境、觀眾心理感受等對(duì)舞臺(tái)音響調(diào)節(jié)的影響，已導(dǎo)致它與擴(kuò)聲混淆，作為電聲轉(zhuǎn)換和信號(hào)放大的主要工具。但在這個(gè)階段，人們逐漸意識(shí)到，舞臺(tái)氛圍的營(yíng)造程度強(qiáng)烈依賴(lài)于音響設(shè)備的控制效果，而舞臺(tái)音響可以調(diào)節(jié)觀眾與舞臺(tái)氛圍的關(guān)系。

For a long time, the role of stage sound has not been fully understood, and the influence of students' sound source, audience's surrounding environment and audience's psychological feelings on stage sound adjustment has been ignored, which has led to its confusion with sound reinforcement, as the main tool of electroacoustic conversion and signal amplification. But at this stage, people gradually realize that the degree of creating stage atmosphere strongly depends on the control effect of sound equipment, and stage sound can adjust the relationship between audience and stage atmosphere.

一方面，聲音要協(xié)調(diào)高、低、快、慢的音效，使不同的音質(zhì)在舞臺(tái)藝術(shù)整體上得到優(yōu)化。舞臺(tái)藝術(shù)強(qiáng)調(diào)元素表現(xiàn)的重要手段。

On the one hand, the sound should coordinate high, low, fast and slow sound effects, so that different sound quality can be optimized in the overall stage art. Stage art emphasizes the important means of element expression.

另一方面，在舞臺(tái)聲音的調(diào)控過(guò)程中，應(yīng)結(jié)合相應(yīng)表演者的聲音情況，進(jìn)行高、中、低補(bǔ)償和音頻衰減，以提高舞臺(tái)的聽(tīng)覺(jué)效果。藝術(shù)，尤其是聲音。條件相對(duì)不足的演員可以通過(guò)合理的調(diào)節(jié)達(dá)到有效的提升，從而滿足觀眾的聽(tīng)力，例如：

On the other hand, in the process of stage sound control, high, medium and low compensation and audio attenuation should be carried out in combination with the sound of the corresponding performers to improve the stage hearing effect. Art, especially sound. Actors with relatively insufficient conditions can achieve effective improvement through reasonable adjustment, so as to meet the audience's listening, for example:

山東舞臺(tái)燈光廠家認(rèn)為大家在使用近講麥克風(fēng)時(shí)，考慮到近講者通常具有清晰流暢的音質(zhì)，在營(yíng)造舞臺(tái)氛圍時(shí)可以根據(jù)混響時(shí)間調(diào)整距離。男性近講者的喉音和女性近講者的聲帶雜音影響聲控效果。在調(diào)試臺(tái)，低于100HZ時(shí)可根據(jù)現(xiàn)場(chǎng)情況進(jìn)行衰減，在5-7kHZ頻段可增加分流器3dB，讓觀眾對(duì)舞臺(tái)氣氛更加認(rèn)可。

Shandong stage lighting manufacturers believe that when using close speaking microphones, considering that close speakers usually have clear and smooth sound quality, they can adjust the distance according to the reverberation time when creating the stage atmosphere. The effect of voice control is affected by the throat sound of male close speakers and the vocal cord murmur of female close speakers. On the commissioning platform, the attenuation can be carried out according to the site conditions when the frequency is lower than 100Hz, and the shunt can be increased by 3dB in the frequency band of 5-7khz, so that the audience can more recognize the stage atmosphere.

舞臺(tái)燈光音響的調(diào)控對(duì)舞臺(tái)氣氛有影響的相關(guān)內(nèi)容就講解到這里了，您可以關(guān)注我們的網(wǎng)站gulfbaader.com，咨詢(xún)了解更多！

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